Religion and Writing: Never the Twain Shall Meet?

“So it is conventional among contemporary writers to exclude religion from their work, however religious the writers might in fact be. This reticence seems to be regarded by many as a courtesy, an acknowledgment of the fact that the subject can be painful or private or can stir prejudices or hostilities. Such scruples are respectable, certainly, but they tacitly reinforce the assumption that religion is essentially and inevitably divisive.”
–Marilynne Robinson, What Are We Doing Here? “Considering the Theological Virtues: Faith”)

Yet, Robinson’s novel Gilead, as well as the two accompanying novels in the series, were critically acclaimed. Gilead, whose main character was a Christian minister, received the Pulitzer Prize for Fiction in 2005.

Humans can be capable of great cruelty, using whatever weapon is at hand, including religion.

A counterweight against cruelty, however, also is provided by religion—ministering to the excluded, for example: lepers, widows and orphans, prisoners, refugees.

Religion, at its best, searches for an inner journey leaving behind the quest for wealth and power fueling so many of our cruelties.

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