“. . . the Syrian conflict, with its bloodshed, destruction and human suffering, seemed immune to all our efforts to find a diplomatic solution.” (William Roebuck, “Raqqa’s Inferno: A Diplomat Reads Dante in Syria,” The Foreign Service Journal, May 2021.)
Such are the words of a weary U.S. diplomat, retiring after a 28-year career, on his last assignment to war-torn Syria, another country ripped apart by a dictator’s desire to hang on.
My own diplomatic career didn’t take me to places as devastated as he experienced. I was assigned to Saudi Arabia for two wars with Iraq and was in Algeria at the start of civil conflict, but I was never close to the terrible suffering recounted in Roebuck’s article. Nevertheless, I identify with the hopelessness of conflict which never seems to cease.
Lacking easy hookups to the internet, Roebuck caught up on his reading in off hours, including Dante’s classic Inferno. This is Dante’s literary picture of his imaginary journey through concentric rings of Hell.
Roebuck fits his daytime journeys into Syria’s destruction with his evening reading of Dante: “I had never seen anything like it—blocks and blocks where every single building had been hit. Slabs of concrete jutted out at wrong angles, like fractured limbs broken beyond any cast would ever repair. More concrete hung from blasted ceilings, dangling in a mesh of wrinkled steal rebar like insects caught in some horrific, oversized spider web.”
At night Roebuck returned to the Inferno. “Dante’s intense, bizarre, even grotesque imagery seemed to my mind to capture the depth of suffering and destruction in Syria.”
The situation in Syria is still bleak, but Roebuck took some comfort in the defeat in Syria of the Islamic radical group, ISIS, leading to a chance for recovery.
In the Inferno, Dante eventually makes his way out of the underworld, where he then notes a refreshing view of the stars. Roebuck compared that to evidences of life again in the broken towns of Syria: some refurbished schools, a bit of night life, families chatting on carpets outside their homes.